海子诗歌与1980年代中国的文化意识  

Haizi’s Poetry and Chinese Cultural Consciousness in the 1980s

作　　者：王东东 WANG Dongdong(School of Culture and Communication,Shandong University,Weihai Shandong 264209)

机构地区：[1]山东大学文化传播学院,山东威海264209

出　　处：《江汉学术》2024年第5期19-28,共10页JIANGHAN ACADEMIC

基　　金：国家社科基金重大项目“现代汉诗的整体性研究”(20&ZD284)。

摘　　要：作为1980年代文化之子,海子的写作也探测着1980年代文化的范围、极限和边陲。海子诗学与1980年代文化之间形成了共振。海子将陈维纲翻译的荷尔德林诗句“在这贫困的时代,诗人有什么用场”,改为了“在这贫困的时代,诗人何为”,并使之在汉语中广为流传。海子和刘小枫分享了同一种“比较诗学”、比较文化的思考,这是“文化热”的表现,也是1980年代中后期普遍的思想氛围;海子作为诗人也以自己的方式参与了中国式“诗化哲学”的思想建构。与刘小枫类似,海子在“拯救与逍遥”之间作出了自己的文化决断。海子最终完成了从“诗化哲学”到“哲学化的诗”的转变,他的诗学同样“是对真实的意义的价值现象学追问”,并且与1980年代的“比较文化”互为表里。其诗歌理想来源于1980年代的文化理想,也因而容纳了1980年代文化意识最深层的矛盾。As a cultural son of the 1980s,Haizi in writing explored the scope,extremity,and frontier of the Chinese culture in the 1980s.Haizi’s poetics resonated with the culture of the 1980s.Once Chen Weigang translated a line from Holderlin as“In this age of poverty,what’s the use of a poet?”and Haizi reversed it as“In this age of poverty,what can a poet do?”which has become popular in the Chinese society.Haizi shared a comparative poetics and comparative cultural deliberation with Liu Xiaofeng,which manifested a“cultural fever”featuring the general ideological climate of the mid and late 1980s.As a poet,Haizi also participated in the ideological construction of Chinese poetic philosophy in his own way.Similar to Liu Xiaofeng,Haizi made a cultural decision between“salvation and escape.”Ultimately,Haizi fulfilled the transformation from poetic philosophy to philosophical poetry.His poetics embodies“a phenomenological inquiry into the real meaning of value”and interacts with the comparative culture of the 1980s.Just as his poetic ideal comes from the cultural ideal of the 1980s,it also inherits the profoundest contradictions of the cultural consciousness of the 1980s.

关 键 词：海子 荷尔德林 刘小枫 比较诗学 诗化哲学 1980年代 文化意识 

分 类 号：I207.25[文学—中国文学]