北齐佛教造像的色彩  

The Colors of Northern Qi

作　　者：韦陀[1] 刘勤(译) Roderick WHITFIELD;LIU Qin(Trans)(School of Oriental and African Studies,University of London,London,Britain;Conservation Research Institute of the Western Thousand-Buddha Grottoes,Dunhuang Academy,Dunhuang 736200,Gansu)

机构地区：[1]伦敦大学亚非学院,英国伦敦 [2]敦煌研究院西千佛洞文物保护研究所,甘肃敦煌736200

出　　处：《敦煌研究》2024年第4期67-72,共6页Dunhuang Research

摘　　要：响堂山石窟是与云冈石窟、龙门石窟并称的古代三大皇家石窟造像群之一,最初开凿于北齐时代,后经隋、唐、宋、元、明各代加以增凿。笔者通过对响堂山石窟、邺城、曲阳佛教造像以及响堂山北齐石窟中所使用色彩的调查比较,对响堂山石窟北齐洞窟中所见色彩进行了初步考察研究。The Xiangtangshan Grottoes are one of three ancient royal cave groups(the other two are the Yungang Grottoes and the Longmen Grottoes).Construction of the Xiangtangshan Grottoes began in the Northern Qi dynasty,and continued through the Sui,Tang,Song,Yuan and Ming dynasties.This paper presents a preliminary study on the colors used to paint the Northern Qi caves of the Xiangtangshan Grottoes by comparing the colors used in these caves with those used in Yecheng,as well as the colors used to paint the Buddhist sculptures in Quyang.

关 键 词：响堂山石窟 水浴寺 北齐 邺城 曲阳 

分 类 号：K879.3[历史地理—考古学及博物馆学]