从肃北五个庙看敦煌西夏石窟艺术的谱系——五个庙石窟研究之二  

The Genealogy of Western Xia Cave Art in Dunbuang Judging from the Five-Temple Grottoes in Subei--Serial Studies on the Five-Temple Grottoes(Ⅱ)

作　　者：张小刚[1] Zhang Xiaogang(Archaeology Institute,Dunhuang Academy,Dunhuang 736200,Gansu)

机构地区：[1]敦煌研究院考古研究所,甘肃敦煌736200

出　　处：《敦煌研究》2024年第4期73-85,共13页Dunhuang Research

基　　金：国家社会科学基金重大项目“敦煌石窟文献释录与图文互证研究”(21&ZD218)。

摘　　要：肃北五个庙石窟的西夏壁画在敦煌石窟艺术中颇具特色。以五个庙西夏壁画为纽带,可以更加清楚地看到敦煌石窟西夏壁画艺术发展演变的过程和西夏时期敦煌地区各个石窟群之间相互影响的密切关系,为构建完整的敦煌西夏石窟艺术的谱系填补了重要缺环。The Western Xia murals inthe Five-Temple Grottoes in Subei are quite distinct among Dunhuang cave art.By taking these murals as a style of art with its own historical genealogy,this study seeks to see the development and evolution of Tangut murals in the Dunhuang caves more clearly,and to understand the relationship among the cave groups in the Dunhuang region during the Western Xia period.This study provides the missing link for constructing a complete lineage of Western Xia cave art in Dunhuang.

关 键 词：肃北五个庙石窟 敦煌石窟 西夏时期 壁画 

分 类 号：K879.21[历史地理—考古学及博物馆学]