论《二十四诗品》中“幽人”意象及“幽境”建构  

On the Image of“the Secluded Man”and the Construction of the“Secluded Realm”in Twenty-four Poetry Styles

作　　者：龙心怡 LONG Xinyi(School of Literature,Hunan Normal University,Changsha 410081,China)

机构地区：[1]湖南师范大学文学院,长沙410081

出　　处：《西安航空学院学报》2024年第4期38-45,共8页Journal of Xi’an Aeronautical Institute

摘　　要：以人拟诗的比德意象与建构意境的审美书写在《二十四诗品》的研究中尚显不足。“幽人”作为贯穿《二十四诗品》的关键意象,其生成模式与存在的“幽境”空间融摄了司空图独特的审美态度与诗学观点。其笔下的“幽人”具备儒家的经世仁爱情怀、道家的无为自然态度和佛禅般若空观的人格特质。在“幽境”建构中,司空图从体物与创作角度强调主体虚静的空灵心境与神完气足的充实内容的重要作用,同时在“天人合一”的审美关照下,塑造出别具一格的“空山幽人”意境。The aesthetic writing using character image to compare poetry styles and construct artistic conception is still insufficient in the study of Twenty-four Poetry Styles.As the key image“the secluded man”runs through Twenty-four Poetry Styles,integrating Sikong Tu′s unique aesthetic attitude and poetic views within the created“secluded realm”.The“secluded man”depicted by Sikong Tu embodies the Confucian spirit of benevolence and love for the world,the Taoist attitude of natural non-action,and the Zen Buddhist characteristics of wisdom and emptiness.In the construction of the“secluded realm”,Sikong Tu emphasizes the significant role of the subject′s tranquil and ethereal state of mind and the substantial content with complete spirit and energy from the perspectives of object observation and creation.Meanwhile,under the aesthetic consideration of“unity of heaven and man”,he shapes a distinctive artistic conception of“secluded man in the empty mountains”.

关 键 词：《二十四诗品》 “幽人”意象 “幽境”建构 “天人合一” 

分 类 号：I207.22[文学—中国文学]