绣理循画理――论松江画派对明代顾绣的影响  

Embroidery is Based on Painting――On the Influence of Songjiang School of Painting on Gu embroidery in Ming Dynasty

作　　者：殷雨蒙 Yin Yumeng(School of Fine Arts Bohai University,Jinzhou Liaoning 121000,China)

机构地区：[1]渤海大学美术学院,辽宁锦州121000

出　　处：《浙江纺织服装职业技术学院学报》2024年第3期56-63,共8页Journal of Zhejiang Fashion Institute of Technology

摘　　要：明代松江地区的顾绣独具风格,作品深受松江画派文人思想和理论主张的影响。以往一直未能给予“画”与“绣”的关系充分地关注和讨论。文章首先对松江画派成员与明代顾绣重要代表人物的交往进行梳理论证,这是顾绣具有松江画派文人趣味的重要前提;进而在这种关联讨论之后,分析顾绣在松江画派影响之下具有的“师古”与“士气”特征。对这一问题的探讨,有助于更全面地了解顾绣的时代审美活动与审美思想共同凝聚的物质产物。作为非物质文化遗产顾绣的传承与保护也能够提供多一个意义维度的考虑。InMing Dynasty,Gu embroidery in Songjiang had a unique style,and his works were deeply influenced by the thoughts and theoretical propositions of the literati of Songjiang School.In the past,when discussing the relationship between"painting"and"embroidery",it has been unable to give full attention and discussion.First of all,the article combs and demonstrates the communication between the members of Songjiang School of Painting and the important representative figures of Gu Xiu in the Ming Dynasty,which is an important premise for Gu Xiu to have the interest of the literati of Songjiang School of Painting.Then,after this discussion,the characteristics of"Shig"and"morale"of Gu Xiu under the influence of Songjiang School of Painting are analyzed.The discussion of this problemis helpful to have amore comprehensive understanding of gu Embroidery,thematerial product of aesthetic activities and aesthetic thoughts in the era,and can also provide a more meaningful dimension for the inheritance and protection of gu Embroidery,an intangible cultural heritage.

关 键 词：顾绣 松江画派 画绣结合 

分 类 号：J523.6[艺术—艺术设计]