浅析T型帛画中日月同辉之象的意蕴  

Analysis of the Meaning of the Image of the Sun and the Moon in the T-Shaped Silk Painting

作　　者：何洛冰 HE Luobing(History and Society College.Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学历史与社会学院,重庆401331

出　　处：《浙江纺织服装职业技术学院学报》2024年第3期64-68,共5页Journal of Zhejiang Fashion Institute of Technology

摘　　要：“帛”即白色丝织品,古人常于帛上作画,通过帛画可探究古人对宇宙人间的认知与追求。1972年长沙马王堆一号汉墓中出土的T型帛画分为上、中、下三部分,以神龙串联天界、人间、地狱三景。其中帛画的天界部分出现了阳乌与蟾蜍并存的日月同辉之象。这种现象背后的思想渊源主要为“天人合一”观、谶纬神学观以及阴阳五行观。阳乌与蟾蜍形象是汉代社会思想具化而成的人文产物,作为日与月的符号象征共同出现,蕴含了汉代人引魂升天、阴阳和谐的宇宙生死观。“Bo”is a white silk fabric,on which the ancient people often painted.Through the silk painting,we can explore the ancient people’s cognition and pursuit of the universe.The T-shaped silk painting unearthed from the No.1 Han Tomb in Mawangdui,Changsha in 1972,was divided into three parts:upper,middle and lower,with the divine dragon connecting heaven,earth and hell.In the heaven part of the silk painting,there appears the coexistence of YangWu and a toad which represent the sun and the moon shining together.The ideological origin behind this phenomenon is mainly the view of“the unity of heaven and man”,the theological view of divination,the view of Yin and Yang and the five elements.The images of YangWu and a toad are the humanistic products of the social thought of Han Dynasty.They appear together as the symbol of sun and moon,and contain the concept of life and death of the universe which leads the soul to heaven and the harmony of Yin and Yang.

关 键 词：马王堆一号汉墓 T型帛画 阳乌 蟾蜍 日月同辉 

分 类 号：TS141[轻工技术与工程—纺织材料与纺织品设计]