汉代舞蹈中的身体美学  

The Aesthetics of the Body in Han Dynasty Dance

作　　者：雷昆鹏 张定贵 LEI Kunpeng;ZHANG Dinggu(Art College,Guizhou University,Guiyang 550025;College of Political Science and Law,Anshun University,Anshun 561000,Guizhou,China)

机构地区：[1]贵州大学美术学院,贵州贵阳550025 [2]安顺学院政法学院,贵州安顺561000

出　　处：《安顺学院学报》2024年第4期56-62,共7页Journal of Anshun University

摘　　要：舞蹈是一门以身体为基础的艺术,身体在舞蹈艺术中占有不可忽视的地位。舞蹈承载着人们的情感表达、文化习俗以及思想观念,研究舞蹈背后所展现的身体观念对理解舞蹈艺术之美至关重要。汉代是中国舞蹈史上第一次大发展时期,也是舞蹈理论、实践承上启下的关键时期。通过对汉代舞蹈的考察,发现其呈现出“作为舞蹈表演的身体”“作为‘礼’之显现的身体”以及“作为生命之显现的身体”的身体美学观。Dance is a body-based art,and the body occupies an unignorable position in the art of dance.Dance carries people's emotional expression,cultural practices and ideological concepts,and the study of the concept of the body behind the dance is crucial to the understanding of the beauty of dance art.The Han Dynasty was the first period of great development in the history of Chinese dance,and it was also a key period for dance theory and practice.Through the examination of Han Dynasty dance,it can be found that it presents “the body as a dance performance” “the body as the manifestation of 'ritual'” and “the body as the manifestation of life.body as the manifestation of life”.

关 键 词：汉代舞蹈 身体美学 舞蹈艺术 礼 

分 类 号：J722.4[艺术—舞蹈]