维吾尔族灰姑娘故事的形态特征及其文化内涵  

On the Morphological Characteristics and Cultural Connotation of Uyghur Cinderella Stories

作　　者：阿布都外力·克热木[1] 萨伊普乃再尔·多来提 Abuduwaili Keremu;Sayipunaizaier Dulaiti

机构地区：[1]西北民族大学中国语言文学学部

出　　处：《艺术与民俗》2024年第3期85-92,共8页Journal of Arts and Folklore

基　　金：2018年国家社会科学基金重大项目“中国阿尔泰语系诸民族民间文学比较研究”(项目编号:18ZDA272);2024年西北民族大学科研创新团队项目“基于铸牢中华民族共同体意识的中华民族文艺现象创新团队”(项目编号:1001660101)的阶段性成果。

摘　　要：中国民间故事资源十分丰富,灰姑娘故事作为国际性故事类型,在我国维吾尔族民间故事中以独特的形态和表现方式格外引人注目。《金鞋》《裂开吧,巨石》《神秘宝箱》《两个箱子》和《祖木来提和柯玛提》等5个维吾尔族民间故事属于典型的灰姑娘型故事,主要情节为继母虐待继女。这些故事具有灰姑娘型故事的共同特点,同时具有独特的民族特征和表现形式。从普罗普的故事形态学来讲,维吾尔族灰姑娘故事呈现为“母亲去世—父亲再婚—继母虐待继女—继女受神灵恩惠—继母受报应—继女获得幸福”的叙述模式,但故事细节有所不同,彰显出中国故事的本土特色和民族特色。China is a country rich in folk story resources.As an international story type,Cinderella stories are particularly notable in Uyghur folk stories for their unique form and expression.Five typical Uyghur Cinderella stories-“Golden Shoes,”“Crack,Giant Rock,”“The Mysterious Treasure Box,”“The Two Boxes,”and“Zumulaiti and Kumati”mainly tell stories of a stepmother mistreating her stepdaughter.These stories share common features with international Cinderella stories while also containing distinct ethnic characteristics and expressional forms.According to V.Propp's morphology of folktales,Uyghur Cinderella stories follow the narrative pattern of“mother dies—father remarries—stepmother mistreats stepdaughter-stepdaughter receives divine favor-stepmother gets retributionstepdaughter attains happiness”However,the story details differ from the international story types,highlighting the local and ethnic characteristics of Chinese stories.

关 键 词：民间故事学 灰姑娘故事类型 艺术特征 故事形态学 

分 类 号：K890[历史地理—民俗学]