郭沫若历史剧在上海的舞台实践--上海剧艺社演出《孔雀胆》考述  

Stage Practice of Guo Moruo's Historical Drama in Shanghai:A Textual Research on the Performance of Peacock Gallbladder by Shanghai Drama Club

作　　者：冯清贵 FENG Qinggui(School of Literature and History,Mianyang Teachers'College,Mianyang,Sichuan 621000)

机构地区：[1]绵阳师范学院文学与历史学院,四川绵阳621000

出　　处：《绵阳师范学院学报》2024年第9期77-84,共8页Journal of Mianyang Teachers＇ College

基　　金：四川省哲学社会科学基金一般项目“郭沫若历史剧演出史料辑佚、整理与研究”(SCJJ23ND264)。

摘　　要：《孔雀胆》是郭沫若抗战时期创作的第五部历史剧。根据原始报刊资料还原了1946年上海剧艺社演出《孔雀胆》的具体情况。在艺术成就上,朱端钧导演的《孔雀胆》情调幽美,既体现了郭沫若历史剧的诗化风格,又对演剧的民族化进行了有益探索。在社会影响上,《孔雀胆》的演出,受到了社会各界的普遍赞誉,表达了中国民众对于光明与正义的热烈期盼。Peacock Gallbladder is the fifth historical drama written by Guo Moruo during the War of Resis-tance against Japan.Restored on the basis of the original newspapers and periodicals is the concrete situation of the performance of Peacock Gallbladder in 1946 by Shanghai Drama Society.In terms of artistic achievements,Pea-cock Gallbladder directed by Zhu Duanjun with a beautiful atmosphere,not only embodied the poetic style of Guo Moruo's historical drama,but also explored the nationalization of its performance.In terms of social impacts,the performance of Peacock Gallbladder aroused general praise from all walks of life,which conveyed the warm expecta-tion of the Chinese people for justice.

关 键 词：上海剧艺社 《孔雀胆》 演出考述 

分 类 号：I23[文学—中国文学]