解构的历史,荒诞的叙事--读刘震云的《故乡相处流传》  

Deconstructed History and Absurd Narrative:On Liu Zhenyun's Hometown Spread

作　　者：钱娜 QIAN Na(North Sichuan College of Preschool Teacher Education,Guangyuan,Sichuan 628017)

机构地区：[1]川北幼儿师范高等专科学校,四川广元628017

出　　处：《绵阳师范学院学报》2024年第9期95-100,共6页Journal of Mianyang Teachers＇ College

摘　　要：《故乡相处流传》是刘震云创作的转折点。在这部小说中,刘震云站在草根民众的立场上,打破了常规的时间观念,在流变的叙述主体和个人化“越界”的第一人称叙事视角下,小说内容、主题呈现出对历史的解构、权力的消解,加之戏谑调侃的态度与荒诞幽默的笔触,营造出了一场语言任意组合的“大狂欢”,使小说展现出极其浓郁的后现代主义风格。Hometown Spread is a turning point of Liu Zhenyun's creation.In the novel,the writer takes a stance of grassroots people and breaks the traditional concept of time.From the perspective of changing narrative subjects and personalized first-person narrative that"transcends boundaries",the novel presents the deconstruc-tion of history and the dissolution of power in terms of theme and content.Coupled with a joking and playful ridi-cule and an absurd and humorous brushstroke,it gives rise to a"carnival"with a random combination of language,thus endowing itself with a style of rich post-modernism.

关 键 词：刘震云 《故乡相处流传》 叙事主体 叙事立场 

分 类 号：I206.7[文学—中国文学]