论艾特玛托夫《白轮船》中的神话图式  

On the Mythic Schema in Chinghiz Aitmatov's The White Steamship

作　　者：邢玲 XING Ling(School of Literature and Journalism,Xiangtan University,Xiangtan,Hunan 411105)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《绵阳师范学院学报》2024年第9期109-115,共7页Journal of Mianyang Teachers＇ College

摘　　要：神话图式兼具神话与图式的双重特征,是人类童年时期对自然未知世界的神话化认知行为。《白轮船》中的神话图式具体表现为:作者首先在文本中生成了一个“始源”空间,即人类聚集地,与具有神性、主人公向往到达的大自然“目的地”形成二元对立,在“始源”与“目的地”之间构建了通往“彼岸”的“路径”,在俄罗斯民族强烈使命感的观照下,形成其特有的自然神话图式和思维。神话乃是集体意识、民族印记的核心。艾特玛托夫被誉为“吉尔吉斯人民作家”,他的小说《白轮船》正是吉尔吉斯民族自然神话思维的具象化,是苏联生态文学中神话图式的直观反映。The mythic schema embodies the dual characteristics of both myth and schema,representing the mythic cognitive behavior of humans in their childhood towards the unknown natural world.The mythic schema in The White Steamship is specifically manifested as following.The author first of all generates an"origin"space within the text,serving as a gathering place for humanity.This creates a binary opposition to the divine,nature-oriented"destination"sought by the protagonist.Between the"origin"and the"destination",a"path"leading to the"other shore"is constructed.Under the influence of the Russian nation's intense sense of mission,this gives rise to a distinctive natural mythic schema and mindset.Myth is the core of collective consciousness and national imprint.Chinghiz Aitmatov is hailed as the“People's Writer of the Kyrgyz”,and his novel The White Steamship is a concrete manifestation of the natural mythic thinking of the Kyrgyz nation,which serves as a direct reflection of the mythic schema in Soviet ecological literature.

关 键 词：神话图式 艾特玛托夫 《白轮船》 苏联文学 

分 类 号：I106.4[文学—世界文学]