集会赋诗与刻石流传——以唐代为中心  

Poems composed in feast and spread in the stone inscription:a focus on the Tang Dynasty

作　　者：何哲涵 胡可先[1] HE Zhehan;HU Kexian(School of Literature,Zhejiang University,Hangzhou 310058,China)

机构地区：[1]浙江大学文学院,浙江杭州310058

出　　处：《海南大学学报（人文社会科学版）》2024年第5期227-234,共8页Journal of Hainan University （Humanities & Social Sciences）

基　　金：国家建设高水平大学公派研究生项目(202206320110)。

摘　　要：集会赋诗场合下的作品有时会以刻石的形式流传。根据刊刻时间与刊刻动机的差异,刻石类型主要可以分为留念型刻石和追念型刻石。集会赋诗刻石作为纸本集会诗集的延伸,展现了集会诗文早期的流传形态,但也由于石刻载体的特殊性,呈现出与纸本集会诗集不同的特色。集会赋诗刻石虽然失去了可移动性,但却成为具有展示意味的纪念景观,带动了诗歌与风景的共生共存。集会赋诗刻石文本的著录与流传,反映了物质性与文本性交错的复杂面貌。Poems composed in feast are sometimes spread in the stone inscription.Based on the differences in the creation time and the motivation,the stones engraved with poems can mainly be divided into the commemorative type and the remembrance one.As an extension of collections of paper-based poems composed in feast,the stone inscriptions show the early pattern of poetry transmission,but present the unique characteristics different from the paper-based poem collections due to the particularities of stone as the writing carrier.Although these stone inscriptions lose their mobility,they have become the memorial landscapes with the significance in exhibition,promoting the symbiosis and coexistence of poetry and scenery.The record and circulation of the engraved texts reflect the complexity out of the mixture of materiality and textuality.

关 键 词：集会赋诗 刻石流传 集会诗集 

分 类 号：I207.22[文学—中国文学]