回归本体——作为档案的乐器藏品研究  

Returning to Ontology:A Study of Musical Instrument Collections as Archives

作　　者：邢媛[1] Xing Yuan

机构地区：[1]上海音乐学院

出　　处：《中国音乐》2024年第5期107-116,共10页Chinese Music

摘　　要：回归器物“本体”的乐器学研究,就是以“物(乐器)”为“文”。把乐器作为直接材料,从器物细节中考察制作特点,从乐器上保留的使用、修复痕迹,找寻历史音高信息,探究逝去的制作技艺、演奏技法,推断使用者的演奏习惯,回溯乐器的生命历程。这一过程则犹如翻开一份尘封的历史“档案”。本文围绕博物馆乐器藏品及策展过程中的“二度田野”考察,结合物质文化研究中的本体论转向(Ontological Turn),讨论人类学视域下回到乐器本身的发现,在物(乐器)与自然、环境、人在互动关系中反思乐器学研究中的人类中心主义,以期在“整体主义”立场上认识自然与文化、人类和非人类的关系。The study of Organology that returns to the"noumenon"of objects is to use"objects(musical instruments)"as"literature."Using musical instruments as direct materials,examining the production characteristics from the details of the objects,searching for historical pitch information from the retained usage and maintained vestiges on the instruments,exploring lost production and performance techniques,inferring the user's performance habits,and tracing the life course of the instruments.This process is akin to opening a dusty historical'archive.'This article focuses on the"re-field"investigation of musical instrument collections and curation processes in the museum,combined with the ontological turn in material culture studies,to discuss the discovery of musical instruments themselves from an anthropological perspective.It reflects on anthropocentrism in instrumental research in the context of the interaction between objects(musical instruments)and nature,environment,and humans,to understand the relationship between nature and culture,humans and non-human beings from a holistic perspective.

关 键 词：乐器学 本体 档案 乐器藏品 

分 类 号：J609.2[艺术—音乐]