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作 者:杨晓蕾 Yang Xiaolei
机构地区:[1]杭州师范大学音乐学院
出 处:《中国音乐》2024年第5期163-175,共13页Chinese Music
摘 要:台湾地区传统北管音乐始终受到作曲家的高度重视,因此,以北管音乐为创作素材的作品为数可观。可以说,经过台湾地区第一代至第四代作曲家的创作实践,已有相当丰硕的成果。因而本论题将立足于音乐作品实践的总结认知,对台湾地区传统北管音乐进行音乐语法的分析,进而对当代音乐“北管化”创作实践的运用语法作全面性的观察。The traditional Bei-guan music in Taiwan district has always been highly valued by composers,and there had been many musical works using Bei-guan music as creative source material.Through the creative practice from the first to the fourth generation of composers in Taiwan region,there has been a very fruitful result.Therefore,the topic of this dissertation will based on the summary and cognition of musical work practice to analyze the musical syntax of traditional Beiguan music that has the widest coverage in Taiwan region,following with a comprehensive observation of the applied syntax's creative practice in"Beiguanization"of Taiwan's region contemporary music.
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