中正平和 清微淡远——贾国平《雪江归棹》的形态观照与创作观念  

Balanced Harmony and Subtle and Far-reaching Elegance:Formal Observation and Creative Concept of Jia Guoping's A Returned Boat in the Snow River

作　　者：曾凯强 Zeng Kaiqiang

机构地区：[1]江西师范大学音乐学院

出　　处：《中国音乐》2024年第5期176-183,共8页Chinese Music

基　　金：南京艺术学院2022年校级研究生科研与实践创新计划项目“理性的想象——中国作曲家对斐波那契数列节奏化的运用特征”(项目编号:XJKY22-002)的阶段成果。

摘　　要：贾国平的民族室内乐《雪江归棹》创作于2013年,展现了中正平和、清微淡远的中国传统美学意境。音乐通过动静虚实的自然声景构建、情景交融的渐变形态、基于民乐音响文化属性中的合而为一与取自然之象表达自我之意和归于本真的精神塑造,成功地体现了音乐形态与音乐观念的和谐统一。Jia Guoping's Chinese ensemble piece A Returned Boat in the Snow River,created in 2013,demonstrates the artistic conceptions of balanced harmony and subtle and far-reaching elegance in traditional Chinese aesthetics.Rooted in integrating the vocal culture of national music and the spiritual creation of expressing oneself with natural phenomena and returning to authenticity,the music successfully embodies the harmonious unity of musical patterns and concepts.This is achieved through constructing natural soundscapes with dynamic and static,real and imaginary elements,and the gradual transformation of patterns combining sentiment and scenery.

关 键 词：《雪江归棹》 自然声景 渐变 民乐合奏 精神塑造 

分 类 号：J614.5[艺术—音乐]