世界文学史写作的新范式及其相关理论问题  

The New Paradigm for Writing on the History of World Literature and Its Relevant Theoretical Issues

作　　者：刘洪涛[1,2] Liu Hongtao

机构地区：[1]北京师范大学文学院 [2]北京师范大学比较文学与世界文学研究所

出　　处：《中国比较文学》2024年第3期2-15,共14页Comparative Literature in China

摘　　要：世界文学史写作起源于19世纪30年代的德国,发展至20世纪末,皆以西方文学为中心。而加速发展的全球化进程和世界文学格局的深刻变化,推动国际学术界世界文学史的写作范式在21世纪发生了巨变。对《剑桥世界文学史》《文学:世界史》《文学史:走向全球视野》这三种新世界文学史著作的研究表明,西方中心主义受到强烈质疑,经典名著不再构成其基本材料和载体,民族国家本位被打破,区域整合与跨区域文学交流、多系统与多中心、文学观念和文类的跨文化比较,成为跨文化的世界文学史写作新范式。From its emergence in Germany in the 1830s to the end of the 20th century,the writing of history of world literature was always framed within the field of vision of Occidentalism.In the 21st century,the accelerating rate of globalization and dramatic remapping for the literary landscape have led to many drastic paradigmatic changes in this field in the international academia.A study of three new histories of world literature indicates that,within the background of the serious challenges to the West-centrism,literary classics have not been featuring prominently in the texts as basic subjects anymore and the national mindset has also been abandoned.Instead,Trans-cultural comparisons and contrasts between literary concepts and categories,regional integration and trans-regional exchanges of literature,and multi-systems and multi-centers have become the fresh traits of the paradigm of trans-cultural writing on the history of world literature.

关 键 词：世界文学史 西方中心主义 《剑桥世界文学史》 《文学:世界史》 《文学史:走向全球视野》 

分 类 号：I109[文学—世界文学]