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作 者:赵雪[1] ZHAO Xue(School of Arts,Langfang Normal University,Langfang Hebei 065000,China)
出 处:《廊坊师范学院学报(社会科学版)》2024年第4期98-106,共9页Journal of Langfang Normal University(Social Sciences Edition)
基 金:廊坊师范学院教育教学改革项目“以核心素养为导向构建高校美术学专业教师能力培养框架研究”(K2020-21)成果。
摘 要:对濒临失传且文献记载模糊的“非遗”项目的挖掘整理,业内非常重视,但这样的技艺往往传承门槛高、难度大,技艺的高级境界全凭匠人技艺的娴熟、个人的感悟和灵感的展现,甚至可意会不可言传。可越是如此,对其技艺流程的挖掘整理越是珍贵且必要。而“纸掩隔”法搜金技艺便属于这种濒危项目。它是漆工用茧球沾金粉挪动带有牙子形状的纸片,利用纸片的“掩”“隔”技法在漆器表面绘制灵动的山石纹样,融漆器的质感之美、绘画之美、工艺之美于一身,是隐匿在大漆髹饰阆苑中的一朵奇葩。详细记载并细致梳理其工艺流程,能够为漆器文物修复和髹饰工艺研究积累宝贵的资料。而从审美特征和人文特性的维度研究其技艺的深层次问题,则能够从某种意义上揭示工艺传承的根基,为“非遗”项目的活态传承和长远发展提供助力。The exploration and organization of intangible cultural heritage projects that are on the verge of being lost and have vague documentary records are highly valued by the industry.However,these crafts often have high barriers to inheritance and great diffculty.The advanced levels of the skills rely entirely on the craftsmen's proficiency,personal comprehension,and the display of inspiration,which can be understood but not explained in words.The more challenging it is to explore and record the processes of such craftsmanship,the more precious and necessary it becomes.The paper-screening gilding technique belongs to this endangered category.It involves lacquer workers using silk balls dipped in gold powder to move paper with notched shapes,utilizing the“screening”and“isolation”techniques to draw lively mountain and stone paterns on the surface of lacquerware,integrating the beauty of lacquerware texture,painting,and craftsmanship into one,which is fine art in lacquer.Detailed docu-mentation and meticulous sorting of its craft process can accumulate valuable data for the restoration and research of lacquerware.Moreover,studying the deep-level skills of this technique from the dimensions of aesthetic characteristics and humanistic proper-ties can reveal the foundations of craftsmanship transmission in a certain sense,providing foundation for the lively transmission and sustainable development of intangible cultural heritage projects.
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