论薛瑄诗歌的时空观念  

On the Concept of Time and Space in Poetry by XUE Xuan

作　　者：曾留香 ZENG Liuxiang(School of Literature and Journalism,Chengdu Normal University,Chengdu,Sichuan 611130,China;Institute for Literature,Sichuan Academy of Social Sciences,Chengdu,Sichuan 610072,China)

机构地区：[1]成都师范学院文学与新闻学院,四川成都611130 [2]四川省社会科学院文学研究所,四川成都610072

出　　处：《内江师范学院学报》2024年第9期14-21,共8页Journal of Neijiang Normal University

基　　金：2024年四川省哲学社会科学基金马工程思想政治教育教学研究专项“中华优秀传统文化融入中国近现代史纲要课教学的路径研究”(SCJJ24MGC23);成都师范学院校级科研项目“理学对诗歌创作影响的复杂性研究”(CS18SB08)。

摘　　要：古典诗歌创作中的时空观是诗歌创作表达的重要维度,亦是当下“空间转向”研究的热点话题,而以往关注点多集中在“诗人之诗”上。实际上,时空观念在宋明理学家们所创作的“学人之诗”中也有重要体现。在明代首位从祀孔庙的大儒理学家薛瑄的诗歌中,时空意识是其常见的书写方式,“鸢飞鱼跃”的理学话头带来诗歌空间的开拓与延伸,“窗”意象的运用体现理学家对有限时空的超越,以及“逝者如斯”与时间的永恒流动性等。这些特点对理学家诗歌的诗境生成与审美表达有重要意义。The concept of time and space in classical poetry creation is an important dimension of poetic expression in China.It is a hot topic in current spatial turn studies as well,while the focuses of previous studies are mainly on poets’poems.In fact,the concept is also prominently reflected in the scholarly poetry created by Neo-Confucian scholars in Dynasties of Song and Ming.In the poetry by XUE Xuan,the first Confucian scholar in the Ming Dynasty who was expert at rituals related to worshiping Confucius,the awareness of time and space is a common writing style.The Neo-Confucian discourse of kites flying,fish leaping extends the poetic space.The window,as an image,reflects the Confucian scholars’transcendence of limited time and space.The concept like as swift as the passing of time embodying the eternal flow of time is also manifested.These characteristics are of significant importance for the poetic creation and aesthetic expression of poetry by Neo-Confucian scholars.

关 键 词：时空观念 空间转向 理学家诗歌 宋明理学 

分 类 号：I206.2[文学—中国文学]