敦煌莫高窟第254窟帝释窟说法佛传图像新辨——“难陀出家因缘变”献疑  

New Interpretation of the Buddha's Sermon Image in Cave 254 of the Mogao Grottoes at Dunhuang-Questioning the"Karma Story of Nanda's Initiation into Buddhism"

作　　者：樊雪崧 Fan Xuesong

机构地区：[1]敦煌研究院美术研究所,甘肃敦煌736200

出　　处：《艺术探索》2024年第4期68-77,共10页Arts Exploration

摘　　要：敦煌莫高窟第254窟主室北壁东起第一幅故事画,《敦煌石窟内容总录》判断为“难陀出家因缘变”,然其缺少与难陀因缘故事直接相关的画面,学界对此图主题尚存争议。第254窟此图应是在“梵天劝请”图式基础上发展而来的帝释窟说法图,显示出与犍陀罗造像、中国龟兹石窟帝释窟说法主题的关联。The first narrative painting on the north wall of the main chamber in Cave 254 of the Mogao Grottoes at Dunhuang,identified in the Comprehensive Catalogue of the Content of the Dunhuang Grottoes as the"Karma Story of Nanda's Initiation into Buddhism,"in which lacks scenes directly related to the story of Nanda's karma,still debates scholarly about the theme of this image.The image in Cave 254 should be a depiction of the"Heavenly Emperor's Sermon"developed based on the"Brahma's plea"schema,showing connections with the Gandhara sculptures and the theme of the"Heavenly Emperor's Sermon"in the Qiuci caves.

关 键 词：莫高窟第254窟 难陀出家 帝释窟说法 梵天劝请 佛传 

分 类 号：K879.41[历史地理—考古学及博物馆学] B948[历史地理—历史学]