作品修改与诗思嬗变的互动——以戴望舒对诗集《我底记忆》的修改为考察中心  

The Interaction between the Modification of Works and the Evolution of Poetic Thought——the Study on Dai Wangshu's Revision of the Collection of Poems My Memory

作　　者：向阿红 Xiang Ahong(Changsha University of Science and Technology,Changsha 410114,China)

机构地区：[1]长沙理工大学文学与新闻传播学院,湖南长沙410114

出　　处：《河南师范大学学报（哲学社会科学版）》2024年第5期117-122,共6页Journal of Henan Normal University(Philosophy and Social Sciences)

基　　金：国家社会科学基金青年项目(22CZW053)。

摘　　要：戴望舒《我底记忆》的修改历程略为复杂,它的几次精调细改导致了文本的解读差异,造就了不同的版(文)本本性。除了艺术上的精益求精,其版本变迁与戴望舒不同时期的诗学观念之间具有十分紧密的互文关系。在各个版本的诸多差异之中,诗歌造艺的完善彰显了诗人创作新诗体——无韵自由诗的成熟;《断指》等作品的删弃折射出了诗人在其文学道路选择上的矛盾;诗歌形式的大改又暗合了诗人思想的裂隙、碰撞与交锋。整个文本修改不仅可挖掘出其诞生与传衍过程中所沉淀的种种文学史信息,亦可剖析文本演变背后诗人的心路历程,透视其诗学思想的发展变化情况。The revision process of Dai Wangshu's My Memory is a little complicated,and several fine-tuning changes of it lead to different interpretations of the text,resulting in different version(text)nature.In addition to the artistic excellence,there is a very close intertextual relationship between the changes of the edition and Dai Wangshu's poetics in different periods.Among the differences of various versions,the perfection of poetic composition shows the maturity of the poet's creation of a new poetic style-blank free verse.The deletion of Broken Fingers and other works reflects the poet's contradiction in his choice of literary path.The great change of poetic form also implies the fissures,collision and confrontation of poets'thoughts.The revision of the whole text can not only dig out all kinds of literature history information accumulated in the process of its birth and transmission,but also analyze the poet's mind course behind the evolution of the text and see the development and change of his poetics.

关 键 词：《我底记忆》 版本 修改 诗学观念 《断指》 

分 类 号：I206.6[文学—中国文学]