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作 者:谢思思[1] 童政皓 XIE Sisi;TONG Zhenghao(College of Engineering and Design,Hunan Normal University,Changsha 410081,China;School of Fashion Design,Jiangxi Institute of Fashion Technology,Nanchang 330201,China)
机构地区:[1]湖南师范大学工程与设计学院,长沙410081 [2]江西服装学院服装设计学院,南昌330201
出 处:《纺织科技进展》2024年第9期45-49,共5页Progress in Textile Science & Technology
基 金:湖南省哲学社会科学基金青年项目(2022YBQ038);湖南省教育厅青年项目(22B0083)。
摘 要:书法是中国传统文化代表之一。为拓宽我国传统文化在服装上的创新设计思路与发展方向,结合文献史料、设计案例、艺术美学3个维度,运用案例分析法、比较研究法,对中日韩服装设计作品中的书法形态、色彩、材质工艺、艺术特征的表现进行分析。研究表明,日韩书法同源自中国,中国书法章法自然,设计中和大气;日本书法为“道”,设计幽静空灵;韩国书法为“艺”,设计抽象简约。中日韩受后现代主义设计影响,服装作品皆具有解构风格。通过分析,梳理中国书法文化对外传播影响与变容,总结当代服装设计发展的核心趋势,凝练服装设计方法,为中国元素的创新设计转译提供参考,助力中国传统文化可持续传承。Calligraphy is one of the representatives of traditional Chinese culture.For the sake of broadening the innovative design ideas and development routes of traditional Chinese culture in fashion,combining literary historical materials,design cases,and artis-tic aesthetics,the expression of calligraphy forms,colors,material craftsmanship and artistic features in fashion design works from China,Japan and South Korea were compared and analyzed through the use of case analysis and comparative research methods.The result shows that Japanese and Korean calligraphy originated from China,with Chinese calligraphy being natural and bold in design,Japanese calligraphy emphasizes“Dao”with a serene and ethereal design,and Korean calligraphy focuses on“art”with abstract and minimalist designs.Influenced by postmodernist design styles,clothing designs in China,Japan,and South Korea all exhibit decon-structive qualities.Through comparison,it delineated the impact of Chinese calligraphy culture on foreign dissemination and transfor-mations in other countries.The core trends in contemporary clothing design development were summarized,the fashion design meth-ods were refined,providing paradigmatic references for innovative design interpretations of Chinese elements,and helping sustain the continuous inheritance of traditional Chinese culture.
分 类 号:TS941[轻工技术与工程—服装设计与工程]
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