当代西方具象绘画的反“唯美”表达  

The Anti-aesthetic Expression of Contemporary Western Figurative Painting

作　　者：路宏 黄菁菁 LU Hong;HUANG Jingjing

机构地区：[1]上海海事大学,上海200120

出　　处：《上海视觉》2024年第2期28-32,共5页Shanghai Vision

摘　　要：在西方传统绘画中,将画面形式的完美和高超的技巧作为美的典范。但在当代具象绘画中,却呈现出了反“唯美”的特征,许多艺术家舍弃了只追求形式与技巧的外在美,而追求一种内在美的本质。弗洛伊德就是其中典型的代表,他的油画人体画不再追求美感,而是运用巨大的笔和刷子直截了当地塑造,形成了扎实又有厚度的体块。通过扭曲、夸张和变形的肉体来揭示真实的灵魂,即人类灵魂的病态、抑郁和荒诞,这些都构成了当代具象绘画反“唯美”的特征。弗洛伊德用自己的艺术为西方当代油画提供了一种全新的审美方式。In Western traditional painting,the perfect form of composition and superb technique are regarded as the epitome of beauty.However,contemporary figurative painting presents the characteristics of anti-aesthetics.it presents the characteristics of anti-aesthetics.Many artists have abandoned the pursuit of external beauty through form and technique,instead pursuing an inner beauty.Freud is a typical representative of this trend.His oil paintings of human body no longer pursue aesthetic appeal but rather use large brushes and direct strokes to create solid and thick forms.By distorting,exaggerating,and deforming the physical body,he reveals the true soul,the pathology,depression,and absurdity of the human soul,which constitute the anti-aesthetic characteristics of contemporary figurative painting.Freud has provided a new aesthetic approach for Western contemporary oil painting through his own art.

关 键 词：当代 西方具象绘画 反“唯美” 弗洛伊德 

分 类 号：J213[艺术—美术]