电影《一出好戏》的文化隐喻解读  

Cultural Metaphor Interpretation of The Island

作　　者：王宜宁 WANG Yining(School of Chinese Language and Literature,Harbin Normal University,Harbin 150025,China)

机构地区：[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025

出　　处：《长春师范大学学报》2024年第9期185-188,共4页Journal of Changchun Normal University

基　　金：国家社科基金项目“百年中国文艺‘人民性’的历史演进与理论突破”(2023BA05669)。

摘　　要：电影《一出好戏》叙述了一群因意外而流落荒岛的当代人的生存故事,通过对荒岛生存过程中求生与逃离的特定场景的展示,表现人性的复杂。影片塑造了一群去掉社会赋予的各种头衔和标签之后的人的生存百态,借此讽喻社会各种名号的虚假性。本文从人类重返原始状态的文化隐喻、欢乐场景的文化隐喻、疯子形象的文化隐喻三个方面对影片进行文化隐喻解读。The film The Island tells the survival story of a group of contemporary individuals who find themselves stranded on a deserted island due to an accident.Through specific scenes depicting their struggle to survive and escape,the film delves the complexity of human nature.The film portrays the survival of a group of people who have been stripped of various titles and labels bestowed by society,and exposes the falsity of various social titles.This article interprets the film s cultural metaphors through three lenses:cultural metaphor of returning to one s primal state,cultural metaphor of joyful scenes,and cultural metaphor of the madman image.

关 键 词：《一出好戏》 文化隐喻 乐景哀情 人格结构 

分 类 号：J905[艺术—电影电视艺术]