戏剧与动员:闽西苏区红色戏剧的革命化实践  

Drama and Mobilization:Revolutionary Practice of Red Drama in the Soviet Area of Western Fujian

作　　者：刘新玲[1] 翟雨鑫 LIU Xinling;ZHAI Yuxin(School of Marxism,Fujian Agriculture and Forestry University,Fuzhou Fujian 350002,China)

机构地区：[1]福建农林大学马克思主义学院,福建福州350002

出　　处：《泉州师范学院学报》2024年第4期14-23,共10页Journal of Quanzhou Normal University

基　　金：福建省社科研究基地重大项目立项(FJ2022JDZ029);国家社科基金项目(16BKS037)。

摘　　要：闽西苏区红色戏剧产生于特定的历史条件下。作为中国共产党进行宣传教育的重要手段,其不仅仅是一种综合性的舞台艺术,更是中国共产党进行革命的艺术武器,是革命文化的重要组成部分。红色戏剧以其特殊的方式反映现实,通过化装表演、活报剧、话剧、歌舞剧和戏曲等多种形式支持社会革命,兼具娱乐大众与教育教化的功能,并在发展过程中不断实现娱乐化向革命化的转变,进一步成为中国共产党宣传动员的重要工具。The Red Drama in the Soviet Area of Western Fujian came into being under specific historical conditions.As an important means for the Communist Party of China to carry out propaganda work,the Red Drama is not only a comprehensive stage art,but also an artistic weapon for the Communist Party of China to carry out revolution,and an important part of revolutionary culture.Red drama reflects the reality in its special way,which supported the social revolution through various forms,such as costume performance,live newspaper,stage play,musical theater and traditional opera.It had the function of entertaining the public and educating the people.In its continuous development,it has became an important tool for the Communist Party of China to promote and mobilize.

关 键 词：闽西苏区 红色戏剧 革命动员 

分 类 号：K269.4[历史地理—历史学]