洛阳鼎造型中的纹饰艺术研究及在鞋类设计中的应用  

Decorative Art of Luoyang Ding and Its Application in Shoe Design

作　　者：惠杰 王大磊 谭红霞 李妮妮 高明 HUI Jie;WANG Dalei;TAN Hongxia;LI Nini;GAO Ming(Chinese People's Liberation Army Joint Logistics Support Force Supply Energy Quality Supervision Station Jinan Quality Supervision Station,Jinan 250024,China;Golden Monkey Group Weihai Shoes Co.,Ltd.,Weihai 264209,China)

机构地区：[1]军需能源质量监督总站济南质量监督站,山东济南250024 [2]金猴集团威海鞋业有限公司,山东威海264209

出　　处：《中国皮革》2024年第9期86-90,共5页China Leather

摘　　要：西周早期青铜器处于商代向周代过渡时期,而作为西周早期最具代表性的“开国鼎”——兽面纹方鼎(即洛阳鼎),充分体现了这一时期青铜方鼎的制造形式与功能。洛阳鼎以其独特的存在,在洛阳有着举足轻重的地位与作用。本文主要对兽面纹方鼎的历史背景、造型与纹饰的演变及意义,以及该方鼎的功能用途进行研究分析,以便能更好地了解该方鼎的历史价值,使其文化内涵与艺术价值体现能充分发挥,并在鞋类设计中得到很好的应用。The early bronze artifacts of the Xizhou Dynasty were in the transitional period from the Shang Dynasty to the Zhou Dynasty.As the most representative“founding cauldron”of the early Xizhou Dynasty,the beast faced patterned square cauldron(i.e.the Luoyang cauldron)fully reflects the manufacturing form and function of the bronze square cauldron during this period.The Luoyang Ding,with its unique existence,holds a pivotal position and role in Luoyang.This article mainly conducted research and analysis on the historical background,evolution and sig⁃nificance of the design and decoration of the animal faced square tripod,as well as its functional use,in order to bet⁃ter understand the historical value of the square tripod,fully demonstrate its cultural connotation and artistic value,and apply it well in footwear design.

关 键 词：西周 洛阳鼎造型 纹饰艺术 鞋类设计 

分 类 号：TS94[轻工技术与工程—服装设计与工程]