移民社会的形象塑造——四川万源清代碑坊建筑艺术的田野考察与研究  

Image Shaping in Immigrant Society--Field Investigation and Research on the Architectural Art of Qing Dynasty Steles in Wanyuan Sichuan

作　　者：何雅闻 HE Yawen(The College of Fine Arts,Chongqing Normal University,Chongqing 401331)

机构地区：[1]重庆师范大学美术学院,重庆401331

出　　处：《内蒙古艺术学院学报》2024年第2期25-32,共8页Journal of Inner Mongolia Arts University

基　　金：重庆市社会科学规划项目《川渝地区清代碑楼建筑装饰的图像生产与价值引导研究》(项目编号:2022BS095)阶段性成果;内蒙古艺术学院基本科研业务费项目“《内蒙古艺术学院学报》‘田野调查’名栏工程项目”(项目编号:22NYJB10)阶段研究成果。

摘　　要：基于对四川省万源市清代碑坊建筑艺术的田野调查,文章认为万源市的清代碑坊建筑艺术处在“湖广填四川”的特殊移民背景下,除了埋葬、祭祀的功能需求外,旨在通过艺术的形式完成墓主及家族在移民社会中关于地域、血缘、社会等多重身份重构。这些碑坊建筑艺术一方面作为物质载体帮助墓主及家族在新的地域塑造个人形象,树立家族威望、获取他人认同。另一方面是在一个需要文化整合的移民地区,通过民间美术表现中华民族共享的文化符号,塑造移民社会的民族视觉形象,构建新的集体意识和文化空间。Based on a field survey of the Qing Dynasty stele architectural art in Wanyuan City,Sichuan Province,the article believes that the Qing Dynasty stele architectural art in Wanyuan City is situated in the special immigrant background of"Hubei filling Sichuan".In addition to the functional needs of burial and worship,it aims to complete the reconstruction of multiple identities of tomb owners and families in immigrant society through artistic forms,such as religion,region,blood relationship,and society.These stone tablets serve as material carriers to help tomb owners and families reconstruct their personal identities in new territories,establish family prestige,and gain recognition from others.On the other hand,in an immigrant area that requires cultural integration,folk art is used to express the cultural symbols shared by the Chinese nation,shape the visual image of the immigrant society,and construct new collective consciousness and cultural space.

关 键 词：清代 碑坊建筑艺术 湖广填四川 民间美术 

分 类 号：G122[文化科学]