“感观的魔咒”:德里克·马洪诗歌“忧郁”的生命符号机制  

“The Spell of the Senseous”:Life Symbol Mechanism of“Melancholy”in Derek Mahon's Poetry

作　　者：孙宣 SUN Xuan(School of Chinese Language and Literature(Zhuhai),Sun Yat-Sen University)

机构地区：[1]中山大学中国语言文学系(珠海)

出　　处：《南京林业大学学报（人文社会科学版）》2024年第4期113-125,共13页Journal of Nanjing Forestry University(Humanities and Social Sciences Edition)

摘　　要：德里克·马洪的自然诗歌体现了自我创作的解构性,其“忧郁”情结的生发与主体的感知、建模系统有关。透过生命符号的书写发现,“忧郁”是诗人在自然环境互动过程中通过符号建模而进行自我生命符号内外编码的结果。生命时间感与幽暗的周围环境奠定了马洪诗歌忧郁的基调,这也是马洪诗歌艺术建模的重要组成部分。生命符号拥有其文化机制,从文化的象征史与资源看,人类独特文化心理模型使得“忧郁”没有脱离象征主义范畴,但马洪的诗歌在科学与文明的反思中又呈现出不同于浪漫主义挽歌的后现代主义生态诗歌风格。Mahon's nature poems embody the deconstruction of his own creation,and the development of his“melancholy”complex is related to the perception and modeling system of the subject.Through the writing of life symbols,it is found that“melancholy”is the result of the poet's internal and external coding of the symbols of his own life through symbolic modeling in the process of interacting with the natural environment.The sense of lifetime and the dark surrounding natural environment set the melancholy tone of Mahon's poetry,which is also an important part of the artistic modeling of his poetry.The life symbol has its own cultural mechanism.From the perspective of symbolic history and resources of culture,the unique cultural psychological model of human beings has ensured that“melancholy”does not deviate from the scope of symbolism,but Mahon's poetry presents a postmodern ecological poetry style different from romantic elegy in its reflection on science and civilization.

关 键 词：德里克·马洪 自然诗歌 忧郁 生命符号学文学批评 建模系统 

分 类 号：I562.072[文学—其他各国文学]