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作 者:朱玉珠 Zhu Yuzhu(School of Marxism,Harbin Normal University,Harbin 150025,China)
机构地区:[1]哈尔滨师范大学马克思主义学院,黑龙江哈尔滨150025
出 处:《辽宁师范大学学报(社会科学版)》2024年第5期7-14,共8页Journal of Liaoning Normal University(Social Science Edition)
基 金:国家社会科学基金重大项目“中国当代作家写作发生与社会主义文学生产关系研究”(22ZD273)。
摘 要:鲁迅是勘探现代乡土小说空间诗学发生的最好样本。从其空间观发生、形成路径来看,是不断将个人空间体验与乡土、民族、国家、世界等大概念交织在一起,空间板块渐次裂变,结构层次逐层丰富,而后又在整一的空间观念中返回到最小板块起点的空间认知漫游旅程。鲁迅在熔铸了刻骨铭心生命体验的空间哲学基础上建构起自己的空间诗学。多维、综合的诗学体系表征了乡土中国的社会结构、现代知识分子的生存际遇、人类的精神困境,以诗学方式呼应了西方马克思主义空间生产理论,也为今天的乡土小说书写提供了高度与向度的范例。Lu Xun is the best sample for exploring the origin of the spatial poetics of modern local color novels.Judging from the origin and formation path of his spatial view,he constantly intertwined his personal spatial experience with large concepts such as native soil,nation,country and the world.The spatial sections gradually split;the structural levels became increasingly rich,and then returned to the starting point of the smallest section in the integrated spatial concept,which was a cognitive roaming journey of space.Lu Xun constructed his own spatial poetics on the basis of the spatial philosophy that fused the unforgettable life experience.The multi-dimensional and comprehensive poetics system represents the social structure of rural China,the survival circumstances of modern intellectuals,and the spiritual predicament of mankind.It echoes the spatial production theory of Western Marxism in a poetics way and also provides a paradigmatic example of height and direction for today’s writing of local color novels.
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