旁白的呼应——宋徽宗绘画题跋的美学价值探究  

The Echo of the Narrator:A Study of the Aesthetic Value of Song Huizong's Painting Inscriptions

作　　者：崔禹尧 CUI Yuyao(College of Letters,Nanjing Normal University,Nanjing 210003,Jiangsu)

机构地区：[1]南京师范大学文学院,江苏南京210003

出　　处：《开封大学学报》2024年第2期14-18,共5页Journal of Kaifeng University

摘　　要：宋徽宗赵佶传世的绘画作品,普遍呈现出书法与绘画珠联璧合、相得益彰的审美特征。他本人的瘦金书体和他的绘画用笔技法一脉相承,展现出汉字的形态美。中国传统书画艺术的共通性体现在对线条的运用上。作为绘画和书法共同的构成要素,线条不仅可以引发两者在共同画面中的互动,还能够展现出中国传统艺术对生命精神的追求。书法在以题跋的形式进入画面之后,给画面整体带来了美学趣味的变化。中国传统绘画借助书法的表现形式,完成了对生命精神的塑造。In Song Huizong Zhao Ji's paintings,the co-existence of calligraphy and painting is commonly seen.His own thin gold script not only shows the beauty of the form of Chinese characters,but also inherits the same technique of using the brush in his paintings.The commonality of traditional Chinese painting and calligraphy can be attributed to the use of lines,which,as an important component of painting and calligraphy,not only triggers the interaction between the two in a common picture,but also highlights the shaping of the spirit of life in Chinese art.Taking Song Huizong’s paintings as an example,this paper explores the changes in the aesthetic interest of the picture after calligraphy enters the picture in the form of inscriptions,and analyses the shaping of the spirit of life in traditional Chinese paintings.

关 键 词：宋徽宗 绘画题跋 书画线条 生命精神 

分 类 号：J212[艺术—美术] K244[历史地理—历史学]