杜甫《北征》在明清的接受  

The Acceptance to Du Fu’s Journey to the North in Ming and Qing Dynasties

作　　者：宋冯珂 张中宇[1] SONG Feng-ke;ZHANG Zhong-yu(School of Liberal Arts,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《菏泽学院学报》2024年第4期91-96,共6页Journal of Heze University

摘　　要：明清两代对杜甫《北征》的接受呈现出差异化、多元化的态势。明前、中期《北征》因其五言长篇的体裁、直笔不恕的叙事方式而接受度不高。明后期随着个性解放意识高涨诗学审美取向多元,《北征》的诗歌地位有所提升。清代在注杜、学杜的高潮中,对《北征》的接受达到高峰。文化环境、审美思潮是影响《北征》接受转变的主要因素。The acceptance to Du Fu’s Journey to the North in the Ming and Qing dynasties showed a trend of alienation and diversification.In the early and middle Ming Dynasty,it was not well accepted due to its five-character novel form and straightforward narrative style.With the rise of individual liberation consciousness and the diversification of poetic aesthetic orientations,the poetic status of Journey to the North was elevated in the late Ming Dynasty.In the Qing Dynasty,during the wave of annotating and learning from Du Fu,the acceptance to Journey to the North reached its peak.The cultural environment and aesthetic trends were the main factors influencing transformation of the acceptance.

关 键 词：明清诗学 接受转变 文化环境 

分 类 号：I207.22[文学—中国文学]