“艺术生产”的三重维度:延安版画中的女性纺织研究  

The Triple Dimensions of“Art Production”:Research on Female Textile in Yan’an Printmaking

作　　者：陈郭竞 徐进波[1] CHEN Guojing;XU Jinbo

机构地区：[1]武汉理工大学艺术与设计学院

出　　处：《当代美术家》2024年第3期33-43,共11页Contemporary Artists

摘　　要：女性纺织作为延安版画中的特殊题材,其研究往往局限于美学,忽略了其生产诱因、表现与价值等问题。本文以延安版画中女性纺织为例,从其生产逻辑、本质、最终指向出发,透过艺术生产理论研究其艺术主体、价值生成、存在形式等问题,探讨女性纺织在延安版画中生产的独创性与创作意图,进一步阐明马克思生产理论对艺术的主导性作用。As a special theme in Yan’an printmaking,female textile research is often limited to aesthetics,ignoring issues such as production incentives,expression,and value.This article takes the female textile in Yan’an printmaking as an example,starting from its production logic,essence,and ultimate direction,and studying its artistic subject,value generation,and form of existence through art production theory.It explores the originality and creative intention of female textile production in Yan’an printmaking,further elucidating the dominant role of Marx’s production theory in art.

关 键 词：艺术生产理论 延安版画 女性纺织 

分 类 号：TS10[轻工技术与工程—纺织工程] J217[轻工技术与工程—纺织科学与工程]