17世纪荷兰风俗画情色意象再探  

A Re-exploration of Erotic Imagery in 17th Century Dutch Genre Painting

作　　者：杨贤宗 王一凡[2] YANG Xianzong;WANG Yifan

机构地区：[1]喀什大学美术与设计学院 [2]华中师范大学美术学院

出　　处：《当代美术家》2024年第4期59-70,共12页Contemporary Artists

摘　　要：风俗画以日常生活内容作为表现对象,在17世纪的荷兰成为独立的画科,以表现日常生活为主,多用于室内装饰。这些风俗画除了精细地描绘日常生活场景外,往往还蕴含了丰富的寓意。前人已经从社会学、图像学等角度探讨过荷兰绘画的情色内容,此文拟从荷兰绘画与古典主义文学戏剧的关联、上层阶级的自身展示与下层阶级风俗画解读的模糊性三个角度,来讨论荷兰绘画的情色内涵。Genre paintings,which took the content of daily life as their object of expression,became an independent painting discipline in the Netherlands in the 17th century,focusing on the expression of daily life,and were mostly used for interior decoration.In addition to depicting scenes of daily life in great detail,these paintings often contain a wealth of allegorical meaning.The erotic content of Dutch paintings has already been explored from the perspectives of sociology and iconography.This essay intends to discuss the erotic connotations of Dutch genre paintings from the three perspectives of the association between Dutch paintings and classical literature and theatre,the upper class’s own display and the ambiguity of the lower class’s interpretation of the genre paintings.

关 键 词：风俗画 情色 象征 

分 类 号：J205[艺术—美术]