法国现实主义绘画的素朴特征——以博纳尔的绘画为例  

The Simple and Unadorned Characteristics of French Realistic Painting-Taking Bonheur’s Paintings as an Example

作　　者：张嘉润 张乾元[2] ZHANG Jiarun;ZHANG Qianyuan

机构地区：[1]安徽大学艺术学院 [2]东南大学艺术学院

出　　处：《当代美术家》2024年第4期103-117,共15页Contemporary Artists

摘　　要：法国现实主义绘画并不是随库尔贝画展事件才突然出现的。在浪漫主义之后,博纳尔朴素的现实主义绘画已经悄然登场。本文通过对博纳尔朴素现实主义绘画审美特征的简要分析,论证在浪漫主义之后博纳尔对法国现实主义绘画风格的形成所起到的引领和推进作用,以增加对博纳尔现实主义绘画更多的了解与关注,进一步揭示现实主义艺术素朴、宁静、自然、真实的本质特征。博纳尔的绘画在今天看来仍然是难以超越的现实主义绘画巅峰。French realistic painting did not suddenly appear with the events of the Exhibition by Courbet.After Romanticism,Bonheur’s simple realistic painting has quietly made its debut.This article provides a brief analysis of the aesthetic characteristics of Bonheur’s simple and unadorned realism painting,demonstrating his leading and promoting role in the formation of French realism painting style after Romanticism,in order to increase our understanding and attention to Bonheur’s realism painting and further reveal the simplicity,serenity,nature,and real characteristics of realism art.Bonheur’s paintings still remain an realistic art peak that is difficult to surpass today.

关 键 词：现实主义 浪漫主义 素朴 宁静 田园牧歌 

分 类 号：J205[艺术—美术]