电影《云霄之上》中的摄影技巧与色彩运用  

Cinematography Techniques and Color Use in the Film"Beyond the Skies"

作　　者：沈磊 闫博文 Shen Lei;Yan Bowen(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《色彩》2024年第7期32-34,共3页Color

基　　金：中国美术学院2023年度校级青年科研课题“诗性电影摄影语言的探索--以电影《云霄之上》为例”(课题编号:QN2023009)

摘　　要：本文通过对电影《云霄之上》的摄影语言进行深入分析,探讨了诗性电影在摄影技术和艺术表现上的探索。文章重点分析了影片中对浙西南自然景观的选择和利用,以及导演和主创团队如何通过摄影机的运动和光影的处理,营造出影片整体的诗意氛围。通过长镜头、手持摄影和自然光的运用,影片打破了传统战争电影与文艺片的界限,创造了一种独特的影像风格。文章还探讨了影片在黑白色调的控制和色彩运用上的独特性,展示了学院派电影创作在视觉艺术上的创新尝试。This paper conducts an in-depth analysis of the cinematographic language in the film"Beyond the Skies",exploring the technical and artistic endeavors of poetic cinema.The article focuses on the selection and use of the natural landscape of southwestern Zhejiang in the film,as well as how the director and the main creative team create the overall poetic atmosphere of the film through the movement of the camera and the processing of light and shadow.Through the use of long takes,handheld cinematography,and natural light,the film transcends the boundaries between traditional war films and art films,establishing a unique visual style.The paper also examines the film's distinct approach to black-and-white tone control and color usage,showcasing the innovative attempts of academic filmmakers in visual arts.

关 键 词：《云霄之上》 诗性电影 摄影语言 黑白色调 

分 类 号：J905[艺术—电影电视艺术]