由江至海:抗战时期的中国海洋文学实践  

From River to Sea:Practice of Chinese Marine Literature during the Anti-Japanese War

作　　者：赵伟[1] ZHAO Wei(Institute of Literature,Jiangsu Academy of Social Sciences,Nanjing 210004,China)

机构地区：[1]江苏省社会科学院文学研究所,江苏南京210004

出　　处：《江苏海洋大学学报（人文社会科学版）》2024年第5期72-84,共13页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要：近代中国,部分知识人转向海洋,探求文明再造、民族复兴之法。怀揣“海洋中国”之理想,蔡鸿幹等主办《整建月刊》并创设“海军文学”,鼓舞军民由江至海,收复海权。彼时“海军文学”的出现,既是抗击侵略的呐喊,更是建设海洋国家的回响。对于中国现代海洋文学而言,《整建月刊》之“海军文学”有粘合、催化之效,使此前此后的海洋文学创作及理论得以统合、反思与前行。整体来看,“海军文学”当属海洋文学在战时的面相之一,又是后者扩大再生产的有力抓手。In modern China,some intellectuals turned to the ocean to explore the methods of civilization reconstruction and national rejuvenation.With the ideal of“Ocean China”,Cai Honggan and others hosted the Rectification Monthly and created“Naval Literature”to inspire military and civilians to move from the river to the sea and regain sea power.At that time,the emergence of“Naval Literature”was not only a cry to resist aggression,but also a response to building a maritime nation.For modern Chinese marine literature,the“Naval Literature”in the Rectification Monthly had a cohesive and catalytic effect,enabling the integration,reflection,and advancement of previous and subsequent marine literature creations and theories.Overall,“Naval Literature”is undoubtedly one of the aspects of maritime literature during wartime,and it is also a powerful tool for the latter to expand its reproduction.

关 键 词：《整建月刊》 海权 海军文学 海洋文学 “海洋中国” 

分 类 号：I206.6[文学—中国文学]