敦煌唐写本《吴都赋》残卷校理  

Collation of Fragmentary Volume of Dunhuang Tang Manuscript Wudu Fu(吴都赋)

作　　者：刘明 LIU Ming(Institute of Chinese Literature,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《辽东学院学报（社会科学版）》2024年第3期1-6,共6页Journal of Liaodong University：Social Science Edition

摘　　要：考察敦煌唐写本《吴都赋》残卷音注的来源,是拓展该帙写本研究的关键性问题。依据《艺文类聚》等现存《吴都赋》的4种音注本认为,《吴都赋》是属于有音注的文本。这些音注由李善、五臣等注家予以继承或因袭。通过审视《吴都赋》残卷里的3处音注,有理由相信它们并不见得来自残卷的抄者或圈点者。这意味着音注研究是拓展和深化《文选》文献学研究的新路径,此件残卷的校理为此提供了典型个案。To investigate the source of the phonetic notations of the fragmentary volume of Dunhuang Tang manuscript Wudu Fu(吴都赋)is a key issue for expanding the research of this manuscript.According to the four phonetic notations of Wudu Fu(吴都赋)in Yiwen Leiju(艺文类聚),it is believed that Wudu Fu(吴都赋)belongs to a text with phonetic notations,which are inherited by annotators such as Li Shan(李善)and Wu Chen(五臣).By examining the three phonetic notations in the fragmentary volume of Wudu Fu(吴都赋),it is reasonable to believe that they do not necessarily come from the copyists or circlers of the volume.This means that the study of phonetic notation is a new way to expand and deepen the philological study of Wen Xuan(文选),and the collation of the fragmentary volume provides a typical case for this.

关 键 词：《吴都赋》 《艺文类聚》 音注 

分 类 号：I222.4[文学—中国文学]