文化技术阶梯理论:技术范式转变中的文化体制改革进路  

Cultural and Technological Ladder Theory: An Approach to CulturalSystem Reform in the Context of Technological Paradigm Shift

作　　者：傅才武[1] 赵辉[2] FU Caiwu;ZHAO Hui

机构地区：[1]武汉大学国家文化发展研究院,武汉430072 [2]武汉大学董辅礽研究院,武汉430072

出　　处：《上海交通大学学报（哲学社会科学版）》2024年第9期65-80,共16页Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)

基　　金：国家社科基金艺术学重大项目“中国式现代化与文化艺术管理体系创新研究”(24ZD17)。

摘　　要：20世纪80年代启动的文化体制改革,在进入21世纪20年代后面临全新的改革环境。高速迭代的数字技术在促进文化数字化的同时,也建立了一种与传统类型技术范式完全不同的平台技术范式,它通过改变类型技术的线性发展轨迹而重建文化行业的底层技术逻辑,突破了文化行业系统“技术分类—专业分工”的专业合法性局限,成为文化行业变革的巨大推动力。未来十年,伴随着数字技术进入生成式人工智能(AIGC)时代,文化行业体制整体上将要进入结构性解构与重建的关键时刻,新兴数字文化的成长和对社会文化消费的主导,将突破以文化行业为基干的文化管理框架,探索建立适应数字社会规则建构为方向的国家公共文化管理模式,体现为一种文化行业为适应数字生态环境的总体变化而实施的跃迁式改革。文化行业的这一结构性变迁对于国家政策和制度创新意义重大,它同时定义了作为上层建筑的文化行业体制改革方向和政策设计原则。The cultural system reform initiated in the 1980s faces a completely new reform environment in the 2020s.The high-speed iteration of the digital technology not only promotes the digitization of culture,but also establishes a platform technology paradigm that is completely different from the traditional technology paradigm,which reconstructs the underlying technical logic of the cultural industry by changing the linear development trajectory of type technologies,breaks through the professional legitimacy limitation of“technical classification-professional division of labor”in the cultural industry system,and becomes a huge impetus for the reform of the cultural industry.In the next decade,as the digital technology enters the era of generative artificial intelligence,the cultural industry system as a whole will enter a critical moment of structural deconstruction and reconstruction.This structural change of the cultural industry is of great significance to national policy and institutional innovation,which also defines the direction of institutional reform and policy design principles of the cultural industry as the superstructure.

关 键 词：文化数字化 技术范式 文化行业 文化体制改革 

分 类 号：G05[文化科学]