李斯特钢琴改编曲的艺术创造力--以《弄臣》《魔王》为例  

The Artistic Creativity of Liszt's Piano Arrangements——Take"Nong Chen"and"Devil King"as examples

作　　者：徐子钧 XU Zijun(Department of Piano,Shenyang Conservatory of Music,Shenyang 110818,China)

机构地区：[1]沈阳音乐学院钢琴系,辽宁沈阳110818

出　　处：《赤峰学院学报（哲学社会科学版）》2024年第9期58-61,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：2021年度辽宁省普通高等教育本科教学改革研究一般项目“‘双减’政策下辽宁省高校音乐教育改革实践研究”(辽教办[2021]245号4-8)。

摘　　要：舒伯特对于艺术作品的拓展与深度发掘,促使早期浪漫主义风格上升至高潮阶段,不但将歌词、曲调有机融合为艺术歌曲,还为后期舒曼等音乐家创作提供了新的发展道路。李斯特在对舒伯特艺术作品《弄臣》《魔王》加以改编与创作,有机结合钢琴演奏方式,为听众描绘出一个优美、宏观的艺术图像,促使歌唱与音乐伴奏、歌词与创作者音乐理想相互融合,构建出一个和谐的音乐曲目,同时生动灵活地运用多元化、多样化的艺术表现手法,不仅能够烘托出音乐情景,构建出浓厚的艺术氛围,还能将二者结合为一个科学合理的整体。Schubert's expansion and deep exploration of artistic works prompted the early romantic style to rise to the climax stage,which not only organically integrated the lyrics and tunes into artistic songs,but also provided a new development path for schumann and other musicians in the later period.Liszt in shubert art"the minister"to"devil"adaptation and creation,organic joint piano playing,to the audience depicts a beautiful,macro art images,prompting,singing and music accompaniment,lyrics and creator music ideal mutual fusion,build a harmonious music relationship,at the same time vivid and flexible use of diversity,diversity of artistic expression,not only can foil music scene,build strong artistic atmosphere,also can combine both as a scientific and reasonable whole.

关 键 词：李斯特 钢琴改编曲 《弄臣》 《魔王》 

分 类 号：J624.1[艺术—音乐] J614