永乐宫壁画中吉祥花草纹样在丝巾设计中的转译  

Translating the Auspicious Floral Patterns of the Yongle Palace Murals into Scarf Design

作　　者：张湄彬 ZHANG Meibin(Lu Xun Academy of Fine Arts,Shenyang 110004,China)

机构地区：[1]鲁迅美术学院,辽宁沈阳110004

出　　处：《西部皮革》2024年第17期148-150,共3页West Leather

摘　　要：永乐宫壁画作为我国绘画艺术的瑰宝,具有重要的传承和象征意义,其中的装饰纹样及色彩更是具备极强的艺术审美价值和文化自信属性,同时也十分契合应用于丝巾设计中。文章通过对永乐宫壁画中吉祥花草纹样的审美价值探究,阐述其外在样式特征美及内在精神情感美,继而通过设计实践探讨永乐宫壁画中吉祥花草纹样在丝巾设计中的提炼变形与创意转化,旨在更好地传播中国传统文化和提升国民品质化生活。The murals of Yongle Palace,as a treasure of Chinese painting art,hold significant heritage and symbolic meaning.The decorative patterns and colors within these murals possess profound artistic aesthetic value and cultural confidence,making them highly suitable for application in scarf design.This study explores the aesthetic value of the auspicious floral patterns found in the Yongle Palace murals,elucidating both their external stylistic beauty and internal emotional essence.It further investigates the refinement,transformation,and creative adaptation of these patterns through design practice,aiming to better disseminate traditional Chinese culture and enhance the quality of national living.

关 键 词：永乐宫壁画 吉祥花草纹样 丝巾设计 

分 类 号：J51[艺术—艺术设计]