作为阐释方法的“移花接木”——论朱光潜对克罗齐的创造性阐释  

“Grafting”as a Method of Interpretation:On Zhu Guangqian’s Creative Interpretation of Croce

作　　者：郭勇健[1] GUO Yongjian

机构地区：[1]厦门大学中文系

出　　处：《社会科学》2024年第9期94-103,115,共11页Journal of Social Sciences

摘　　要：“阐释”是一种位于介绍和批评之间的活动,它既不是客观的介绍,也不是主观的批评,而是居于主客观之间。正因为居于主客观之间,它才是“有我的阐释”,也才可能是创造性阐释。“移花接木”是朱光潜有意使用的阐释方法。朱光潜那些关于克罗齐的论述不能以“介绍”视之,而应以“阐释”视之。若以“介绍”视之,可能会觉得它们是对克罗齐的“歪曲”或“误读”;若以“阐释”视之,那么我们会发现它们其实是“有意识的误读”。有意识地误读克罗齐,是为了“创造性地阐释”克罗齐。朱光潜对克罗齐美学的创造性阐释,主要表现于《文艺心理学》和《诗论》。《文艺心理学》主要是对克罗齐美学的经验化,一是将美学知识融会于个体经验,二是将思辨美学转化为经验美学;《诗论》主要是对克罗齐美学的汉语化,一是用汉语表述克罗齐的美学概念,二是在诗歌语言层面上改造和发展克罗齐的美学观点。The“interpretation”in this paper is located between introduction and criticism.It is neither objective introduction nor subjective criticism,but an activity between subject and object.It is an activity that resides between subject and object.It is precisely because it resides between subject and object that it is“interpretation with I”,and it is also possible to be creative interpretation.“Adding flowers to wood”is the method of interpretation that Zhu Guangqian intentionally used.Zhu Guangqian’s discussion on Croce cannot be regarded as“introduction”,but should be regarded as“interpretation”.If we look at them as“introduction”we may feel that they are“distortion”or“misinterpretation”of Croce;if we look at them as“interpretation”,then we may feel that they are“distortion”or“misinterpretation”of Croce.If we look at them as“interpretations”,then we will find that they are in fact“conscious misinterpretations”.The purpose of‘conscious misreading’of Croce is to“creatively interpret”Croce.Zhu Guangqian’s creative interpretation of Croce’s aesthetics is mainly expressed in The Psychology of Literature and Art and Treatise on Poetry.The Psychology of Literature and Art is mainly an empirical interpretation of Croce’s aesthetics:firstly,it integrates aesthetic knowledge into individual experience,and secondly,it transforms discursive aesthetics into empirical aesthetics;and The Treatise on Poetry is mainly a Chinese interpretation of Croce’s aesthetics:firstly,to express Croce’s concept of aesthetics in Chinese,and secondly,it transforms and develops Croce’s aesthetics on the level of poetic language.

关 键 词：朱光潜 克罗齐 美学 阐释 移花接木 

分 类 号：K225[历史地理—历史学] K852[历史地理—中国史]