全球电影贸易网络时空格局演化特征分析  

Analysis of the Spatio-Temporal Evolution of the Global Film Trade Network

作　　者：李凡[1,2] 董春晖[3,4] 蒋丽 Li Fan;Dong Chunhui;Jiang Li(School of Management,Foshan University,Foshan 528225,China;Key Research Base of Humanities and Social Sciences,South China University of Technology,Guangzhou 510641,China;School of New Media and International Communication,Nanguo Business College,Guangdong University of Foreign Studies,Guangzhou 510545,China;School of Economics and Trade,Foshan University,Foshan 528225,China)

机构地区：[1]佛山大学管理学院,广东佛山528225 [2]华南理工大学广州市人文社会科学重点研究基地,广州510641 [3]广东外语外贸大学南国商学院新媒体与国际传播学院,广州510545 [4]佛山大学经济贸易学院,广东佛山528225

出　　处：《热带地理》2024年第10期1775-1786,共12页Tropical Geography

基　　金：教育部人文社会科学研究青年基金项目(17YJC790073)。

摘　　要：基于联合国商品贸易统计数据库,利用复杂网络分析方法,探讨2004—2019年全球电影贸易网络时空格局演化特征。研究发现:1)全球电影贸易网络节点数量、贸易关系流和平均加权度持续增加,各国或地区在全球电影贸易网络中的联系越来越密切。贸易网络的可达性和通达性良好,具有小世界特征和无标度性质。2)贸易网络的拓扑结构从以欧洲、美国为双核心演变为以欧洲、亚洲和美国的“多点开花”式多极结构,以往全球电影贸易网络中“自西向东、由北往南”的空间格局正在变化,亚洲国家在全球电影贸易中增长显著,中国成为亚洲区域性电影贸易中心。3)网络核心—边缘结构越来越明显,电影贸易出现较为明显的等级层次性。全球电影贸易网络表现出全球化和区域化共存的趋势,区域化已成为全球电影贸易网络演化的重要趋势之一。4)全球电影贸易网络可划分为4个主要社团,其分布呈空间的连续性,社团结构的存在促进电影贸易网络的稳定和发展。With globalization accelerating,films,as unique cultural products,are increasingly crossing borders and forming global trade networks.This network is a significant research focus in film geography.An in-depth analysis of the global film trade network helps illuminates its spatial and temporal patterns,offering both academic insight and practical value for the expansion of the Chinese film market overseas and the implementing cultural power strategies.Based on data from the United Nations Commodity Trade Statistics Database,this study uses complex network analysis methods to explore the evolution of the spatial and temporal characteristics of the global film trade network from 2004 to 2019.The findings reveal four key trends:first,the continuous expansion,seen in the growing number of nodes and trade flows indicates that the film trade relations between countries are becoming closer,creating a highly interconnected international cultural market.This reflects a growing decentralization of global cultural products,particularly with an increased in participation from Asian countries.Second,the trade network's topology has shifted from a dual-core model centered on Europe and America to a multipolar structure centered on Europe,Asia,and the United States,highlighting the increasingly important role of Asian countries,especially China,in the global film trade.Third,the distinction between the network's core and periphery has become more pronounced,revealing an increasing hierarchy in the film trade.This hierarchy may exacerbate market imbalances,giving stronger countries more influence over film production and distribution,whereas smaller cultural markets face more severe challenges.Finally,community detection analysis shows that the global film trade network exhibits significant community distribution characteristics,with these communities being relatively geographically concentrated,fostering stable exchange and cooperation of cultural products.This study examines the spatial and temporal evolution of the global film

关 键 词：贸易网络 复杂网络分析 全球电影贸易 时空格局 

分 类 号：J943[艺术—电影电视艺术]