王旭烽“茶人四部曲”的空间叙事研究  

Study on the Spatial Narrative of Wang Xufeng s“Tetrology of Tea Man”

作　　者：夏雪飞[1] XIA Xuefei(International School,Tongji University,Shanghai 200092,China)

机构地区：[1]同济大学国际文化交流学院,上海200092

出　　处：《杭州师范大学学报（社会科学版）》2024年第5期66-71,共6页Journal of Hangzhou Normal University(Humanities and Social Sciences)

基　　金：国家社会科学基金一般项目“新时期以来中国文学的‘江南书写’研究”(21BZW155)的研究成果。

摘　　要：王旭烽的“茶人四部曲”重构了小说的宏大叙事,展现了浙江茶人家族杭氏百年的命运沉浮。通过空间叙事理论分析“茶人四部曲”的叙事特征:以“忘忧茶楼”这一物理空间为载体,日常生活、战争、政治变革组成了一个社会空间,与此同时,人物行动所带来的叙事空间的转换也书写了在场的历史;作为一个私人宅院,“忘忧茶庄”承担着“家宅”的叙事功能,维护着杭家的家族记忆和个人的主体性;从杭天醉的“梦境”,到林忘忧确认“老白茶树”与自己的关联,心理空间的构建通达存在,揭示了“茶人四部曲”的深刻哲思。Wang Xufeng’s“Tetralogy of Tea Man”reconstructs the grand narrative of the novel,showcasing the ups and downs of the fate of the Hangzhou family of tea man in Zhejiang for a hundred years.This paper aims to analyze the spatial narrative characteristics of the“Tetrology of Tea Man”through spatial narrative theory:using physical spaces such as“Forgetting Worries Tea House”and West Lake as carriers,daily life,war,and political change form a social space.As a private mansion,“Forgetting Worries Tea Garden”undertakes the narrative function of“homestead”,maintaining the family memory and personal subjectivity.From the dream of Hang Tianzui and Lin Wangyou s identification that the“old white tea tree”is himself,the construction of psychological space is accessible and reveals the philosophical thinking of the“Four Tetralogy of Tea Man”and the profound connotation of tea culture.

关 键 词：王旭烽 茶人四部曲 空间叙事 社会空间 家宅空间 心理空间 

分 类 号：I287[文学—中国文学]