非对抗性表意实践:王采薇《长离阁集》研究  

Non-Confrontational expressive practice:a study of Wang Caiwei’s Changlige Collection

作　　者：雷晶晶 LEI Jingjing(School of Literature and Journalism,Ocean University of China,Qingdao,Shandong 266000,China)

机构地区：[1]中国海洋大学文学与新闻传播学院,山东青岛266000

出　　处：《浙江师范大学学报（社会科学版）》2024年第5期51-62,共12页Journal of Zhejiang Normal University(Social Sciences)

基　　金：中央高校基本科研业务费专项课题“清代江南女性与科举问题研究”(202261092)。

摘　　要：18世纪常州地区的闺秀诗集《长离阁集》,作者王采薇通过挪用“思妇”符号,修改其单向的道德规训内涵,将自身建构为情感和道德的主体;诸多疾病书写,再现了女性的患病历程和生命体验,具有指责性、外向性的写作特点;基于现实社会对女性的角色期待,王采薇凭借对“木兰”诗和记梦诗的微妙改写,显露了女性在日常之外的想象和越界。《长离阁集》通过对女性主体的呈现,展示了清代知识女性如何利用自身特有的文化资源,采取非对抗性策略,成功开掘出边际群体的文化空间,从而对整个江南地区的文化格局产生深远影响的历程。Changlige collection is a collection of poems written by a lady from Changzhou in the 18 th century.Wang Caiwei the author,used the symbol of“yearning wife”to modify the one-way moral discipline connotation and constructed herself as an emotional and moral subject.Many illness writings reproduced women’s illness process and life experience,which featured the writing style of tending to accuse and blame others and outside world rather than themselves.Based on the role expectations of women in real world,Wang Caiwei revealed women’s imagination and transgression beyond daily life by subtly rewriting“Mulan”poems and dream poems.By the presence of female subjects,Changlige collection shows how intellectual women in the Qing dynasty used their own unique cultural resources,adopted non-confrontational strategies,and successfully opened the cultural space of marginal groups,thus having a profound impact on the cultural pattern of the entire Jiangnan region.

关 键 词：王采薇 《长离阁集》 思妇文本 女性经验 自我书写 

分 类 号：I206.2[文学—中国文学]