从词体声律角度看秦观词作风格  

Study on Writing Style of Qin Guan's Ci from the Perspective of Style and Rhythm

作　　者：赵博文 刘少坤[1] ZHAO Bowen;LIU Shaokun(School of Chinese Language and Literature,Hebei University,Baoding,Hebei 071002,China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《保定学院学报》2024年第5期73-79,共7页Journal of Baoding University

摘　　要：秦观填词受传统词风影响较大,在填词细节方面多有讲究。在择调方面,秦观偏爱唐五代时期词调以及北宋时流行词调,而这些词调大部分为传统婉约词人所喜用;在炼字造句方面,秦观频繁使用平声领字、平声叠词以及五字句、七字句,促成其平和之音;在选韵方面,秦观常用鱼语、尤有等声情缠绵哀婉的韵部,多用平韵而少仄韵等,都强化了秦观词“婉”的风格特点。秦观填词的各个阶段均体现出以婉约词为正统的观念,其用调偏好、声情特点以及用韵习惯也符合其词作清幽冷寂、含蓄哀婉的风格。Qin Guan's lyrics were greatly influenced by the traditional Ci style,and he paid more attention to the details of his lyrics.In terms of the choice of intonation,Qin Guan preferred the intonation of the Tang and Five Dynasties and the popular intonation of the Northern Song Dynasty,most of which were loved by the traditional graceful intonation;in terms of making words and sentences,the frequent use of flat collar words,flat overlapping words and five-character sentences,seven-character sentences,to promote its peaceful voice;in the selection of rhymes,the common use of fish language,especially with the same melodious and melancholy rhyme,the use of flat rhyme and less oblique rhyme,all strengthen the"Wan"style characteristics of Qin Guan's Ci.Each stage of Qin Guan filling reflects the concept of graceful and restrained words as orthodox,and the habits of using tone,voice and rhyme are also in line with the style characteristics of quiet,cold,implicit and sad.

关 键 词：秦观 词调 词体 声律 

分 类 号：I207.23[文学—中国文学]