宋代诗歌中的阴山文学景观书写探赜  

An Analysis of the Literary Landscape Writing of the Yin Mountains in Song Dynasty Poetry

作　　者：罗露琴 LUO Luqin(Guizhou Minzu University,Guiyang,Guizhou 550025)

机构地区：[1]贵州民族大学,贵州贵阳550025

出　　处：《呼伦贝尔学院学报》2024年第4期48-52,共5页Journal of Hulunbuir University

摘　　要：宋代阴山虽被北方辽夏所控制,但两宋文人笔下仍有对阴山的文学景观书写。从创作书写主体来看,两宋文人主要聚集在江南地带,其以谏官、使节、中书舍人等身份影响着阴山文学景观的构建。阴山画作、边塞风物、阴山历史女性书写主题成为了宋代文人的创作焦点,它们在呈现出壮美旷远的北疆文化景观同时,部分主题被赋予宋人忧国伤时慷慨悲凉的情感内蕴,这种多重情感交织和寄寓,形成了阴山文化特有的传承,也丰富了北疆地域文化内蕴之美。Although the Yin Mountains in the Song Dynasty were controlled by the Northern Liao and Xia dynasties,there were still literary landscapes written about it by literati in the two Song dynasties.From the perspective of the creative and writing subjects,literati from the Song Dynasty mainly gathered in the Jiangnan region and influenced the construction of the literary landscape of the Yin Mountains as advisors,envoys,and clerks of the Central Secretariat.The paintings of Yin Mountains,the scenery of the frontier fortress and the theme of female writing in the history of Yin Mountains had become the focus of literary creation in the Song Dynasty.While presenting the magnificent cultural landscape of the Northern Border Culture,some themes were imbued with the emotional connotations of generosity and sadness when the Song people were worried about their country.This multiple emotional interweaving and embodying had formed the unique inheritance of Yin Mountains culture and enriched the beauty of the regional cultural heritage of the Northern Border Culture.

关 键 词：宋代 阴山 文学景观 北疆文化 

分 类 号：K244[历史地理—历史学]