越界爱欲与姐妹情谊:论《青蛇》改编的性别内涵  

Transgressive Eros and Sisterhood:On the Gender Significance of the Adaptation of Green Snake

作　　者：张春晓[1] 高文丽 Zhang Chunxiao;Gao Wenli

机构地区：[1]苏州大学文学院 [2]布里斯托大学

出　　处：《戏剧与影视评论》2024年第3期73-81,共9页Review of Theatre and Film

摘　　要：小说《青蛇》通过青蛇第一人称,打破了白蛇故事长久以来不自觉的第三人称全知全能叙事,从边缘视角解构不言而喻的爱情神话,以模仿和操演服膺又暴露父权制异性恋的建构本质,有保留地展现出爱欲的越界潜能。电影无法照搬第一人称内心独白,但通过改编法海这一角色以及视觉化地展现情欲的各种形态,又部分扭转了小说的主旨。这种姐妹情谊是一种包含情欲在内的、至高的同性亲密关系,它并不能简单归诸同性恋,却是容纳在异性恋建制内、又时时比照和刺穿其意识形态的另类选项,不同于白蛇“操演爱情”,青蛇恰恰是在这种莫可名状的情动中探索自己的主体性。《青蛇》的姐妹情谊也在性别与性向的二元对立中开辟出一种模糊但充满可能性的话语空间。Through the first-person perspective/narrative of the Green Snake,the novel breaks the long-held unconscious third-person omniscient omnipotence narative of the White Snake story,deconstructs the self-evident love myth from the edge perspective,imitates and rehearses it,and exposes the constructive nature of heteronormativity in the patriarchal system,and shows the transgressive potential of love with reservation.The film cannot reproduce the first-person monologue,but by adapting the character of Fa Hai and visualizing the various forms of eroticism,it partially changes the main theme of the novel,that this sisterhood is a supreme homo-intimacy that includes eroticism,and it cannot simply be classified as"homosexuality".It is an alternative option that is accommodated in the heterosexual establishment,and constantly compares and piercings its ideology,which is different from the white snake's"love performance",and the green snake is exactly exploring her own subjectivity in this inexplicable emotional movement.The sisterhood of the Green Snake also opens up a vague but possible discourse space in the binary opposition of gender and sexual orientation.

关 键 词：李碧华 《青蛇》 女性主义 姐妹情谊 

分 类 号：J905[艺术—电影电视艺术] I207.42[文学—中国文学]