远与亲:魏晋南北朝山水人物的生命精神  

Yuan and Qin:The Life Spirit of Landscape and Scholars in the Wei,Jin,Southern and Northern Dynasties

作　　者：黎臻 Li Zhen

机构地区：[1]四川师范大学文学院

出　　处：《国学学刊》2024年第3期90-98,142,共10页Research in the Traditions of Chinese Culture

基　　金：四川省哲学社会科学基金青年项目“《世说新语》与六朝文艺美学范畴的生成研究”(SCJJ23ND476)阶段性成果;四川师范大学巴蜀文化研究中心年度项目“文化交流视野下的蜀汉文艺美学思想研究”(BSYB23-32)阶段性成果。

摘　　要：“远”作为中国古典美学的重要范畴之一,在魏晋南北朝山水人物品赏及艺术表达中增添了“亲”的内涵,由此显现出生动的个体生命精神。自老庄哲学赋予“远”以超越性以来,“远”的道体特征与形而上的生命意义成为根本,个体生命亦融入宇宙生命之中。在魏晋南北朝人物品藻与山水审美的个性自觉影响下,“亲”聚焦了“远”的生命意义,在天人相亲、物我相亲、道器相亲几个方面丰富了“远”的美学内涵,重新指向士人个体。同时,“远”与“亲”进一步融入了山水诗画领域之中,在审美形式、审美对象和体验层次等方面突出了个体生命的表达,强调虚灵与情致的合一。“Yuan”(远),as one of the important categories of Chinese classical aesthetics,gained an additional connotation of“Qin”(亲)in the appreciation and artistic expression of landscape and figures during the Wei,Jin,Southern,and Northern Dynasties,thereby revealing the vivid spirit of individual life.Since the philosophy of Laozi and Zhuangzi endowed“Yuan”with a sense of transcendence,the Daoist characteristics and metaphysical life significance of“Yuan”became foundational,as individual life merged with cosmic life.Under the influence of the heightened individual consciousness in the appreciation of both characters and landscapes during this period,“Qin”brought focus to the life meaning of“Yuan,”enriching its aesthetic connotations in areas such as the close relationship between nature and humans,between objects and self,and between Dao and material things.Furthermore,“Yuan”and“Qin”became deeply integrated into the realm of landscape poetry and painting,emphasizing the unity of ethereal spirit and emotions,and highlighting the expression of individual life.

关 键 词：远 亲 魏晋南北朝 生命精神 

分 类 号：J212[艺术—美术] K235[历史地理—历史学] B83-0[历史地理—中国史]