厅堂式演出对昆曲发展的影响  

The Influence of Hall Performance on Kunqu Opera

作　　者：王化旭 WANG Hua-xyu(Jiangsu Union Technical Institute,Nanjing 211135,China)

机构地区：[1]江苏联合职业技术学院,江苏南京211135

出　　处：《扬州教育学院学报》2024年第3期61-65,70,共6页Journal of Yangzhou College of Education

摘　　要：自明代末年起,士大夫阶层为便于更好地赏玩昆曲,纷纷组建家班,形成了厅堂演出的形式。这种以家班形式运作的私人化演出,对昆曲的发展产生了至关重要的影响。文人雅士的艺术修养和审美情趣很直接地体现在对昆曲的改造上,从而使其声腔、剧本、程式、服饰都得到了进一步改良,愈显其精细婉柔的特点。由于文人的介入和亲力实践,昆曲表演更趋于规范化,也因此深深打上了“文人戏”的烙印;但由于士大夫阶层对昆曲的过度雅化,在一定程度上也限制了昆曲自有的生机。Since the late Ming Dynasty,the literati and officials class have set up family teams to enjoy Kunqu Opera at liberty,giving rise to the form of hall performance.This style of private performance by family teams has been vital to the development of Kunqu.The literati’s artistic accomplishment and aesthetic taste are directly reflected in the transformation of Kunqu Opera,where its voice,script,formula,and clothing have been further improved,highlighting its characteristics of delicacy and subtlety.Kunqu opera performance became more standardized because of the participation and practice of the literati,and therefore branded as“literati opera”;however,the over-refinement of literati and officials also,to some extent,limited the vitality of Kunqu opera.

关 键 词：昆曲 厅堂式演出 士大夫阶层 规范化 过度雅化 

分 类 号：J825[艺术—戏剧戏曲]