物质生态批评视域下自然类纪录片内容体系研究  

Construction of Natural Documentary Content from the Perspective of Material Ecological Criticism

作　　者：苗元华 Miao Yuanhua(School of Journalism and Media,Shandong Normal University,Jinan Shandong,250358)

机构地区：[1]山东师范大学新闻与传媒学院,济南250358

出　　处：《山东师范大学学报（社会科学版）》2024年第5期99-112,共14页Journal of Shandong Normal University(Social Sciences)

基　　金：国家社会科学基金一般项目“人与自然和谐共生重要论述的哲学意蕴及其实现路径研究”(20BKS058)的阶段性成果。

摘　　要：当代哲学观摆脱了二元对立理性传统的束缚,对于反思人类中心主义、促进人与自然的和谐相处具有重要的时代意义。在此背景下产生的新物质主义与生态后现代主义相结合,形成物质生态批评的话语体系,对物质的活力、动能及其与人类之间的交互关系进行阐发。以物质生态批评视角考察自然类纪录片,能够发掘其中蕴含的生态价值及现实意义。自然类纪录片创作者运用现代影像技术呈现直观可感的物质活力以及隐秘世界里物质的动能,采用生态思维展现充满物质变化和互动的自然生态系统,并且以凝视和身体融入自然的方式讲述自然事物的故事,在一定程度上能够创新性地构建叙事内容,也有助于体现存在论意义上人与自然的共生、交融关系。Contemporary philosophical views have freed themselves from the constraints of binary oppositional rationality,and have important contemporary significance in their reflection of anthropocentrism and promotion of harmonious coexistence between humanity and nature.In this context,the combination of new materialism and ecological postmodernism has given rise to a discourse system of material ecological criticism,elucidating the vitality,dynamic energy,and interaction between material entities and human beings.Examining natural documentaries from the perspective of material ecological criticism can uncover their ecological value and practical significance.Creators of nature documentaries use modern imaging technology to present visible and perceptible material vitality as well as the hidden kinetic energy in the world.They use ecological thinking to show a natural ecosystem full of material changes and interactions,and tell stories of non-human materials through gaze and body integration into nature.This can innovatively construct narrative content to some extent and also help reflect the equality and integration relationship between humans and nature in an ontological sense.

关 键 词：新物质主义 活力 生态系统 生态思维 身体 

分 类 号：J90[艺术—电影电视艺术]