工业美学视域下AI电影剧本叙事生成路径与审美反思  

Narrative Generation Paths and Aesthetic Reflections of AI Film Scripts from the Perspective of “Industrial Aesthetics”

作　　者：范志忠[1] 汪梦菲 Fan Zhizhong;Wang Mengfei(College of Media and International Culture,Zhejiang University,Hangzhou Zhejiang,310058)

机构地区：[1]浙江大学传播与国际文化学院,浙江杭州310058

出　　处：《山东师范大学学报（社会科学版）》2024年第5期138-146,共9页Journal of Shandong Normal University(Social Sciences)

基　　金：国家社科基金艺术学重大项目“新时代中国电影工业体系发展研究”(20ZD19)的阶段性成果。

摘　　要：人工智能迭代升级,对电影剧本的叙事生成影响深远。人机协同正从伪原创阶段、辅助创作阶段进入到命题阶段和全自动阶段。如果说前两个阶段人工智能着重于根据剧本内容对电影项目的成功率进行预测,或对电影剧本内容进行辅助性创作;那么后两个阶段则电影剧本创作将可能面临“人的逻辑”被弱化,“算法逻辑”被加强的新态势。在这个意义上,电影工业美学“接着讲”的意义,则表现为在人工智能时代反思与重构感性与理性、人文主义与技术主义的关系,坚守人的主体性,建构属于人的审美世界。The continuous evolution of artificial intelligence has had a profound impact on the generation of narratives in film scripts.Human-machine collaboration has progressed from stages of pseudo-originality and assisted creation to proposition and full automation.While the initial stages focused on predicting the success rate of film projects based on script content or providing auxiliary creative support for script development,the latter stages may usher in a new era where human logic is diminished,and algorithmic logic is amplified in film script creation.In this context,industrial aesthetics in filmmaking serve as a platform for introspecting and reconstructing the relationship between sensibility and rationality,humanism and technicism in the age of artificial intelligence.This involves upholding human subjectivity while constructing an aesthetic world that belongs to humanity.

关 键 词：工业美学 人工智能 剧本叙事 生成路径 审美反思 

分 类 号：J90[艺术—电影电视艺术]